Sundance
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Sony Acquires Rights to Sundance Hit ‘Animal Kingdom’
Australian crime drama from first-time director David Michôd
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Why Sundance Left Me Breathless
You will never look at your kitchen sink the same way again after you see “GasLand”
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Keely Field - 
				
					
					
						
Ester Goldberg’s Weekly ‘Wrap’: Award Highs & Lows
Catch up on all the top schmooze, as Ester gives her own outrageous take on the week
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Ester Goldberg - 
				
					
					
						
Relativity a Successful ‘Catfish’ Hunter
Sundance sensation will be distributed via its Rogue label through Universal later this year
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Last Official Deal of Sundance: ‘The Freebie’ Goes to Phase 4
Studio picks up North American rights to romantic comedy for mid-six figures
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Wrap Staff - 
				
					
					
						
With No Sundance Breakout, Indie’s Weakness is Exposed
The landscape looks fragmented and confused. And that YouTube experiment? Failed
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Eric Kohn and Sharon Waxman - 
				
					
					
						
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Exclusive: ‘Catfish’ Filmmakers Grilled on Truth & Fiction
“It was unbelievable when it was happening to us — but it did happen”
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Eric Kohn - 
				
					
					
						
Sundance: A Wallflower’s Perspective
If the vast majority of Sundance entries failed to thrill, where does that leave the rest of us filmmakers?
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Laurene Williams - 
				
					
					
						
Doubts Swirl About the Truth of ‘Catfish’
Skeptical viewers suspect that much of the story about his brother’s Facebook romance is a work of fiction
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Eric Kohn - 
				
					
					
						
Sundance and NHK Announce International Filmmakers Awards
Winners receive $100,000 to help with next films
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Wrap Staff - 
				
					
					
						
Winterbottom Gets Back on His Feet
“The Shock Doctrine” gave him the opportunity to conclude his time in Park City on a high note
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Eric Kohn - 
				
					
					
						
‘Lovers of Hate’ Deserves the Buzz
The blend of solemnity and deadpan humor creates a uniquely appealing character drama
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Eric Kohn - 
				
					
					
						
Kristen Stewart Redeems Herself
In “Welcome to the Rileys” she reminds audiences why she was so alluring pre-“Twilight”
By
Eric Kohn